'Sweeney Todd' And West Side Story Lyricist Stephen Sondheim Dead At 91


Share this post

Stephen Sondheim, one of the most celebrated musical theatre talents left for his heavenly abode today.

As NY Times reported, the award-winning lyricist and composer Stephen Sondheim passed away peacefully on Friday at his house in Roxbury, Connecticut. Not much is known about the reason behind his death at the moment but his friend F. Richard Pappas has told that it was quite sudden. He had spent Thanksgiving with his friends and enjoyed the meal.

Stephen’s interest in musical theatre began in his childhood. He was introduced to it by Oscar Hammerstein, a family friend. In 1950, he graduated from Williams College and then struggled to find his footing in Broadway. After struggling for some time, he went to L.A to write for television show "Topper". His heart was always on Broadway so soon he went back to NYC. This time he got hired to write lyrics for West Side Story. He finally got his big break as West Side Story is considered to be one of the most iconic musicals ever made. It ran for more than 700 performances on Broadway and then it was adapted by Steven Spielberg as a feature film.

After that, it was one success after another for Sondheim. His impressive talent shone through in musicals like Sweeney Todd, Way To The Forum, Into The Woods, and many more. Throughout his career, he won every prestigious award including Golden Globe, Grammys, Oscar award, Tony, and Pulitzer Prize.


Share this post
Comments

Be the first to know

Join our community and get notified about upcoming stories

Subscribing...
You've been subscribed!
Something went wrong
Luke Combs Drops Tender New Love Song “Be By You” Ahead of Album The Way I Am

Luke Combs Drops Tender New Love Song “Be By You” Ahead of Album The Way I Am

Luke Combs is leaning into Valentine’s season with a new love song, “Be By You,” released February 13 as the first taste of his upcoming fifth studio album The Way I Am. The track, written by Dan Alley, Sam Banks and Nick Walsh, trades his usual barroom bombast for a slower, piano‑ and guitar‑driven sound that puts the focus squarely on Combs’ voice and the song’s simple promise of devotion. Lyrically, “Be By You” plays like a vows refresh, with Combs singing about wanting nothing more than to


B P

Baby Keem Bets Big on Himself with High‑Concept New Album ‘Ca$ino’

Baby Keem Bets Big on Himself with High‑Concept New Album ‘Ca$ino’

Baby Keem is back at the table with Ca$ino, his second studio album and one of this week’s most anticipated hip‑hop drops. The project arrives today after a tightly choreographed rollout that included a “Ca$ino Listening” livestream on his YouTube channel and teases about the record’s high‑stakes, risk‑and‑reward theme. Positioned as the follow‑up to his breakout success on The Melodic Blue and his Grammy‑winning work with Kendrick Lamar, Ca$ino is being framed as the moment he proves he’s more


B P

Club FLO at the Tiny Desk: Inside the Trio’s Vocals-First, Access All Areas Era

Club FLO at the Tiny Desk: Inside the Trio’s Vocals-First, Access All Areas Era

British girl group FLO just turned NPR’s Tiny Desk into “Club FLO,” using the platform to double down on live vocals, sisterhood and their next era. They transformed the D.C. office corner into a mini club setup—disco balls, martini glasses and a custom FLO marquee tucked between the shelves—without letting any of the staging distract from their harmonies. The trio opened with a refreshed take on debut single “Cardboard Box,” a full-circle moment that immediately reminded viewers why that song


B P

Jill Scott Turns NPR’s Tiny Desk into a 26‑Minute Masterclass in Soul

Jill Scott Turns NPR’s Tiny Desk into a 26‑Minute Masterclass in Soul

Jill Scott has finally checked off one of the most‑requested items on R&B fans’ wish lists by making her debut on NPR’s Tiny Desk Concert series, and she treated the space like a miniature Philly club. The set, filmed to celebrate the release of her first studio album in just over a decade, To Whom This May Concern, runs about 26 minutes and blends new material with the classics that made her “Jilly from Philly” in the first place. Backed by a full band and three background vocalists squeezed i


B P