Kendrick Lamar Teams Up with ‘South Park’ Creators for Upcoming Film ‘Whitney Springs’
#image_title

Kendrick Lamar Teams Up with ‘South Park’ Creators for Upcoming Film ‘Whitney Springs’


Share this post

Kendrick Lamar’s much-anticipated film, Whitney Springs, will star Chloe East and Celeste Octavia in lead roles.

Fresh updates surfaced Wednesday (March 5), revealing the film will premiere on Paramount+ July 11. K.Dot and Dave Free are collaborating with South Park creators Matt Parker and Trey Stone to produce the live-action comedy, with Stone and Parker directing.

A social media poster suggests the “HUMBLE.” rapper, who appeared in Power, might headline the film. However, confirmation is still pending. Whitney Springs explores a Black intern at a history museum, reenacting slavery, who uncovers his girlfriend’s white ancestors enslaved his. East, known for Heretic, also appeared in The Fabelmans and Generations on HBO Max.

Kendrick Lamar’s Deepfake Transformation: From 2Pac to Kanye

Octavia, a rising talent, has worked as a Madonna double and featured in music videos for Oasis and Depeche Mode. Last year, Kendrick Lamar was spotted on set, filming in Pomona, California. At last year’s CinemaCon, Brian Robbins, the CEO of Paramount Pictures, called the film’s script both incredibly funny and refreshingly unique. He expressed strong confidence that it would generate significant excitement at the event.

The masterminds behind South Park crafted the deepfake effects, showcasing Kendrick as various famous personas, including Kobe Bryant, Will Smith, and O.J. Simpson. Speaking to The New York Times Magazine, Stone revealed that other deepfake versions were explored but never made it into the final edit: “You see Kendrick turned into 2Pac, Kendrick turned into Kanye, and I think we had Eminem.”


Share this post
Comments

Be the first to know

Join our community and get notified about upcoming stories

Subscribing...
You've been subscribed!
Something went wrong
Coco Jones Honors Whitney Houston With “Lift Every Voice and Sing” at Super Bowl LX

Coco Jones Honors Whitney Houston With “Lift Every Voice and Sing” at Super Bowl LX

Coco Jones helped open Super Bowl LX with a rendition of “Lift Every Voice and Sing,” joining the pregame slate alongside Charlie Puth and Brandi Carlile. The Grammy‑winning R&B singer and Bel‑Air star performed the hymn often referred to as the Black national anthem before kickoff at Levi’s Stadium, continuing the NFL’s practice of including it in major events since 2020. Her look was as talked‑about as her vocals. Jones stepped onto the field in an all‑white Karl Kani ensemble—a cropped athle


B P

Bad Bunny Brings Latin Hit Parade to the Super Bowl LX Halftime Show

Bad Bunny Brings Latin Hit Parade to the Super Bowl LX Halftime Show

Bad Bunny headlined the Super Bowl LX halftime show with a Spanish‑language set built around his own catalog and Latin pop collaborators. Over roughly 13 minutes, he performed songs including “Tití Me Preguntó,” “Yo Perreo Sola” and “Voy a Llevarte Pa PR” on a field‑level stage styled to resemble a Puerto Rican neighborhood, with dancers, extras and street‑themed props filling the space. Coverage noted a mix of musical performance and visual storytelling. Outlets highlighted staging elements su


B P

Seattle Seahawks Defeat New England Patriots 29-13 to Win Super Bowl LX

Seattle Seahawks Defeat New England Patriots 29-13 to Win Super Bowl LX

The Seattle Seahawks defeated the New England Patriots 29-13 on Sunday to win Super Bowl LX! Seattle's Mike Macdonald became the third-youngest (38) head coach to win the Super Bowl. The Seahawks also became the first team in history to not commit a single turnover during their Super Bowl run through the playoffs. They became the 17th franchise to win multiple Super Bowls. THE SEATTLE SEAHAWKS ARE SUPER BOWL LX CHAMPIONS 🏆 pic.twitter.com/EuftZfN9lP — NFL (@NFL) February 9, 2026 Quarterba


O A

Charlie Puth Just Gave a Reminder of How the National Anthem Should Be Sung

Charlie Puth Just Gave a Reminder of How the National Anthem Should Be Sung

The national anthem has become a strange battleground in modern pop culture. Every performance seems to fall into one of two traps: either it’s overstuffed with vocal gymnastics meant to go viral, or it’s delivered so cautiously that it barely leaves a mark. Charlie Puth’s recent rendition cut cleanly through both extremes—and in doing so, quietly set a new bar. Puth didn’t treat the anthem like a flex. He treated it like a song. That alone made his performance stand out. From the first note,


Elliot O